Away...

I will be away for a bit, while I enjoy the beauty and fun of Yosemite with just a taste of sweet San Francisco.

Life Drawings

The two drawings above are charcoal on 18" x 24" paper. All of the poses were approximately 25 minutes long. I took flack from my husband for not even suggesting the face of the lower one. Besides myself, he's my toughest critic. It's ok though, because it keeps me improving. His life drawings are to die for when he gets time infront of a figure (and actually uses real media and not a computer).

The two drawings below are done using Derwent Watercolour pencils (Burnt Umber or VanDyke Brown, which I bought individually, not in a huge kit as the link suggests) in my sketchbook (a moleskine) which is approximately 9.75" x 7.5". Water will hopefully never touch these pages as the paper is too thin to handle such abuse. However, I like the idea and may experiment with some gestures on heavier paper with these and add water.

I really love the last pose. It expresses so much emotion. I think I will try to investigate this pose again soon (and for a longer period of time). I also like in this last drawing how much your eye fills in on its own. Economy of lines is working well in this one (in my humble opinion).

Cross Pollinate

I wanted to let all of you know I am now a Contributor over at the wonderful Women Painting Women blog which was created by the uber talented Sadie J. Valeri, and my friend and fellow Masshole Diane Feissel also contributes. If you have some favorite contemporary women painters, who paint women, I'd love to get your ideas via email (links help greatly). Enjoy perusing the wonderful paintings; comments are greatly appreciated and encouraged.

The Saga Continues...

Mother Reading

oil on panel

20" x 16"

And so the painting continues. As I've said before, there is still much to do on this one. It seems the more I do, the more I see to do. This painting was not supposed to take this long. I started this on a whim to keep both my mom and I occupied while the little folks were at preschool. However, this painting has developed into more of a family portrait, than just a single portrait of my mother. In the background there are things that reference both of my children, my husband, and of course myself. When I started this painting, I noticed for the first time, a beautiful nest just outside our window. It ended up having two eggs in it, which while my mom was posing both hatched. We so enjoyed watching these ugly little beings turn into full fledged mocking birds. Their mother worked tirelessly to feed them and protect them from a curious squirrel. In fact, she did too good of a job with one, who got too fat to leave the nest. When he (I say he, because I think of him as similar to my brother) finally flew from the nest, he didn't make it far. He hid in the bushes on the opposite side of the house and she continued to be his full service meal cart. I know I am anthropomorphising big time here, but I can't help to see ironic similarities.

As you can see, there are several books (I am addicted to them) on the shelves. When we moved into this house, I organized this wall of shelves to be both pleasing to the eye, as well as orderly. Therefore, the top shelf is filled with my husbands graphic novels and such, the next shelf down has Art History books and a stack of women artist books (one which is titled 'Seeing Our Selves, another irony?), and then toys, lots of toys. Also, you see I've included two paintings. The robot painting on the top shelf is one of three paintings my husband and I bought for our 10th Anniversary a few years ago. The other painting is of our daughter when she was 5 weeks old. It was painted quickly from life, on a wooden box for my husband's first father's day. I've included images of both of these paintings for you to see. I don't think I'll add too much more detail from these to my current painting since I think it will detract from what's supposed to be the main subject; my mother reading.

I know I must seem like such a sentimental fool. So be it. I don't want to paint hardship or psychologically (negatively) charged portraits (anymore). There was a time when I looked for the uncomfortable in my sitters, but now there is something that has changed within me where I don't feel that urge any longer. I have no need to show the world anymore ugliness. There is all ready enough of that, now isn't there?

Mike Tracy Monster #32, 2007 acrylic on canvas 8" x 8"

Sienna at Five Weeks

oil on wooden box

5 3/8" x 6 3/4"

Painting Perceptions Interview

Well, I am so honored to announce that Larry Groff has asked to interview me for his Painting Perceptions blog (which you may know, is a favorite of mine). This site is filled with wonderful works and insight. I am humbled to be included and I'd like to thank Larry greatly for the interest. Hope you enjoy the read.

Kitchen Window
oil on panel
48" x 36"