Face Off Update

 

Wow!  What a fun weekend in Charleston I had.  Thank you to Principle Gallery Charleston for hosting such a great event and giving me an excuse to play in your fair city.  Here are a few images from the event and then a quick timelapse video of my painting from that night.

Face Off Artists: me, Terry Strickland, & Rachel Constantine

 

   

 

My finished painting of Nicole, 3 hours later.

 

Sienna As Archer

Sienna as Archer, oil on panel, 48" x 36", 2014

Life and art are inseparable for artists.  Everything we do in our daily lives has the potential to become fodder for our work.  And the work in turn, feeds our life with rich appreciation for the simple acts and moments that could otherwise be overlooked.  Lately, I've noticed my children are growing like weeds right before my eyes.  I can feel their youth slipping towards responsibility and seriousness.  This has become particularly poignant for me with my daughter as she approaches her next birthday, which will place her firmly in the double digits club.  There is a risk in painting children, maybe especially for women artists; artists who are mothers.  So much of history has told us that this is a 'sentimental' act, and that that word itself is a dirty word which you wouldn't want associated with our serious work.  But there is a bounty to explore in that moment of a child's life which is fixed between the abundance of imaginative play of youth and the growing pressures of age; right before the storm of adulthood.  I am compelled to capture that mix of tides that I am living with, that I am responsible for raising well.   

 While my daughter posed for this painting over several sessions, I noticed a shift in her.  When I first asked her to hold the bow, she pulled the string and it was... almost right - but there was an apologetic tone to her stance.  Her feet were planted awkwardly near each other, her grip light and unsteady.  I was asking my pink loving, pacifist daughter to hold a weapon - and this was not natural for her.  It took much coaching, and honestly I think I had to make her mad at me, before she really took the pose with any believability.  I think by then she wished I had loaded the bow with more than a suction cup toy arrow, because now she was happy to aim directly at me.  The next time she took the pose, her elbow straightened a bit more, her wrist more naturally aligned with greater strength.  And then as the painting developed and she got to see herself as this strong and cunning girl, I noticed she began to stand taller too.  What I suddenly realized one day while standing infront of this life size painting of my daughter, is that this painting was helping me parent better.  I was showing my daughter how to be empowered.  How to embrace her inner strength and not be apologetic to share that with the world.  

Life and art are inseparable.    
    

 

And here is a picture and a related post of this same girl, just several years younger.

Guardian

 

Guardian, oil on panel, 64" x 48"

My painting Guardian is now dry enough to photograph.  As I stated in the previous post (which you can read here), this painting is a deeply personal image that has stuck with me for approximately three years.  I'm not ready to verbally explain all the symbols and meanings of this painting - hopefully there are some that you will be able to read in the painting on your own.  I will share that this has been one of the most rewarding painting experiences of my life.  This painting has developed and evolved and gushed out of the deepest parts of my being.  I feel so much gratitude for being able to experience this.     

 Guardian (details), oil on panel, 64" x 48" 

 

Featured in American Art Collector

I am so honored and pleased to share that my work is featured in the current April 2012 edition of the magazine American Art Collector!  The article acts as a preview for the upcoming The Expedition & Beyond show at Principle Gallery, which opens Friday the 13th.  My painting Becoming can be seen on a nearly full page spread.  Thank you to American Art Collector for featuring the exhibition - it is a lovely article.  You can purchase a copy of this magazine at any Barnes and Nobles or other book store near you. 

Principle Gallery - The Expedition & Beyond

Becoming, oil on panel, 24" x 24"

I am honored and excited to share that three of my paintings will be included in an exhibition at Principle Gallery in Alexandria, VA.  The Expedition & Beyond will showcase the works of thirteen incredible figurative artists.  I am so happy to be sharing these esteemed walls with this talented group.  

The Expedition & Beyond

April 13 - May 15, 2012

Opening Reception: Friday April 13th from 6:30-9pm

Principle Gallery

208 King St.

Alexandria, VA

703-739-9326

Artists included are:

Alexandra Tyng – Narberth, PA

Alia El-Bermani – Cary, NC

Catherine Prescott – Harrisburg, PA

Cindy Procious – Chattanooga, TN

Diane Feissel – Philadelphia, PA

Linda Tracey Brandon – Phoenix, AZ

Mia Bergeron – Chattanooga, TN

Rachel Constantine – Philadelphia, PA

Sadie Valeri – San Francisco, CA

Stefani Tewes–Laguna Beach, CA

Terry Strickland- Pelham, AL

Shannon Runquist, Charleston, SC

 Diane with Kitten, oil on panel, 20" x 16"

 The Gibbes Mausoleum, oil on linen on panel, 10” x 8”

This exhibition is a direct result of the Women Painting Women blog, which I helped to co-found, the subsequent 2010 exhibition of the same name at Robert Lange Studios in Charleston, SC and the painting retreat we called "On Expedition" that coincided with that initial exhibition of over 54 international artists.  This time around, The Expedition & Beyond  focuses on the work created and inspired by that week long retreat of a baker's dozen like minded artists.  We will each exhibit one study that was painted on location as well as 2 works that were created in our studios after the retreat. 

A beautiful catalog accompanies this exciting exhibition which not only shares all the paintings that will be on exhibit, but also includes stories and pictures from the retreat itself.  With a lovely foreword by John O'Hern,  American Art Collector, Santa Fe Editor,  the very talented folks at Matter Deep Publishing have done a fantastic job.  This catalog can be previewed and purchased by visiting HERE.

A preview video was also created by Matter Deep Publishing which you can view below:

You may also read a very nice blog post by Matthew Innis of the wonderful and always informative Underpaintings blog by clicking HERE.  

Lastly, today I found a nice mention in Fine Art Connoisseur magazine's March-April 2012 issue.  It is currently on newsstands. 

If you are in the Alexandria, VA area on Friday April 13th we all hope you will be able to come to the Opening Reception between 6:30-9pm.  Most of the artists (including yours truly) will be in attendance.

The Skeptic

The Skeptic, oil on linen on panel, 20" x 16", 2012

Perhaps this is a better photo?

I Believe The Skeptic is fini

Well, I wanted to write a post about my finished self portrait titled The Skeptic.  You know, give you some behind the scene thoughts that brewed while working on this painting.  But no matter how many different ways I try - I suck at taking photos of my own work.  There is always a pesky glare, bad exposure or it just is slightly out of focus.  There is also the annoyance that every single computer screen I see the work on has it's own color cast.  I know that all artists have to deal with that last problem.  I know that we all trust that you, dear readers, know that the painting is much better in person..  At this point I am just SO frustrated.  I miss my old 35mm Canon AE1 (but not those slides we artists used to have to take of our work).  Alas, I will continue to try to figure out the overabundance of settings on this damn digital camera! 

Here are a few of my most recent attempts at photographing The Skeptic.  On this computer they seem to be dark and have very inaccurate color, but maybe on your's these photos look amazing... one can dream. grrr

 The Skeptic, oil on panel, 20" x 16"

The Skeptic, oil on panel, 20" x 16"

 

Self as Skeptic

Last week, after spending many hours on the large painting of my son, I wanted to take a little breather so I started a new self portrait.  It is a relief to work smaller and once again from life.  As you can imagine, I am not able to get my five year old son to hold still as a model, so I've been struggling with the limitations of photo reference.  This self portrait is a huge relief in that sense, though I do have a mad crick in my neck.

 open underpainting of 

The Skeptic, oil on panel, 20" x 16"

The day after I started this self portrait, I had the pleasure (for the second time) to see the beautiful Rembrandt in America exhibition at the NCMA with some lovely friends.  This exhibit boasts nearly 50 portraits by both Rembrandt and "the school of Rembrandt".  There are some truly remarkable paintings to feast on, such as the following self portrait painted in 1659 (which is on loan from the National Gallery of Art).  The exhibition continues at the NCMA thru January 22, 2012 and then travels to the Cleveland Museum of Art and the Minneapolis Institute of Arts.

It certainly is a humbling experience to compare my efforts in paint to that of the master Rembrandt!  But it also serves as a great source of inspiration to see how he layered so much paint and completely controls the viewers focus with not only the variation of paint applications, but great mastery of value relationships.  Here are a few more progress shots of my humble attempt.  It is still not complete and unfortunately, photographing a wet painting is nearly futile... my apologies for the poor photo quality.

work in progress 

detail of first pass of color

The Skeptic (in progress), oil on panel, 20" x 16"

 

Haunt, Taunt, Flaunt

Have you ever had a painting haunt you? It hasn't happened too often for me, but this painting idea has been stuck in my head for over 3 years now appearing like a demanding apparition. In those three years it has changed almost as much as my young son. Now its time has come. Now I am ready to take it on...

I'm still working on a title (you think in three years something would have come to me by now - but this has been a particularly visual haunt). Here's the start:

Work in progress, oil on panel, 64" x 48"

 detail, oil on panel, 64" x 48"

First day into color (detail).

Happy to be back

I am so happy that my travel is behind me (for now).  California was sensational!  Spending time with friends in Monterey at the Weekend with the Masters was wonderful and then too to have the opportunity to hear and paint along side some all stars was a cherry a'top that treat.  Following the conference, the wonderful Rachel Constantine and I had a brief but amazing adventure in the most beautiful place - Big Sur.  The locals took us in and made us feel right at home.  I won't soon forget it!  And then too, my visit down to Laguna Beach was a whirlwind trying to squeeze in as many visits with old friends as possible in 48 hours.  Thank you to the beautiful Stefani Tewes for lending me your amazing studio as a place to rest my head.  The lecture at LCAD went rather well.  I had several students come up to me after with compliments and gratitude.  I'm so happy that my experiences as an artist can inspire other artists.  It's a wonderful life, being an artist.  But I must admit, I was itching to get home to my family.  Now that I'm back, my babes look bigger and seem smarter.  My patient husband has managed to keep them alive and well.  I'm so grateful to their amazing daddy!  

Back into the studio I jumped.  This week I have finished two paintings.  The first is a study for a much larger work to come called Dumb Luck.  I won't give too much away at this point, but I'm really looking forward to diving into this large painting.  The second painting is one I have been sporadically working on for nearly 9 months.  With all the travel I have done this year, this poor painting kept getting put in the corner half done.  Now that I was able to focus on it for a bit, I think she's done.  Right??  I think there are still a few more things I will tweak on it till the two big, custom panels from Ampersand arrive.   Any suggestions for areas that you see need tweaking, speak up in the comments section. 

Study for Dumb Luck, oil on panel, 16" x 12"

Home Maker, oil on panel, 48" x 36"

Daniel Sprick

This past week I had the ultimate pleasure of spending time in Philadelphia with my very good friends Diane Feissel, Rachel Constantine and fellow NC artist Susan Lyon.  We were all enrolled in a workshop at the esteemed Studio Incamminati taught by the incredible Colorado artist Daniel Sprick.  There have been several posts on facebook and on the other artist's blogs about this workshop (Philly artist William Sentman did two great posts on the workshop which you can read by clicking: Day 1 or Day 2 and Diane Feissel did a great post titled Sprick).

Here are some photos of the experience with a few captions. 

Painting at Rachel's beautiful studio on Thursday before the weekend workshop.

(left to right: Sue Lyon, Diane Feissel, Daniel Sprick & Rachel Constantine off camera to left)

 Saturday, Day 1. Drawing

Daniel's final drawing demo.

Daniel starts another drawing demo from the model.

Daniel's final figure drawing demo.

My drawing of model Ron.

Day 2. Painting!

Susan Lyon taking Daniel's seat.

Daniel Sprick's palette.

Daniel's final painting demo (detail below)

My painting from the workshop.

Many thanks to Rachel and Diane for your amazing hospitality; to Daniel for the wonderful experience; to Studio Incamminati for hosting this great workshop and also a huge thank you to the lovely Lea Colie Wight for lending me your spare drawing board and paper.  Philly is full of amazing people!!